Tag Archives: Stagecoach

Preview: 2000trees Festival

2000 Trees Festival photo

2000trees Festival in 2009. Photo courtesy of Tortipede.

The usually sleepy Upcote Farm in Gloucestershire will be the home, for the fifth time, of 2000trees Festival this weekend. Dedicated to providing a platform to new and underground British music, other main draws are the cheap tickets, green agenda, and the fact that it is in possession of the ’2nd Best Toilets at a UK Festival’. I shit you not.

There are four stages to choose from, all featuring acts for your aural amusement; the Main Stage – with the likes of Dan Le Sac v Scroobius Pip, Los Campesinos!, Three Trapped Tigers, and Islet, The Cave – with ASIWYFA, Talons and Vessels, The Leaf Lounge – with Tellison, Tall Ships and Stagecoach, and finally, The Greenhouse – featuring DJ Primer, Esse B and Midnight Mile. I’ve only cherry-picked a couple of examples, but here is the full line up.

There is also a handful of extra-musical activities going on too; a fancy dress competition under the theme Cowboys! vs Robots! vs Ninjas!, the opportunity to watch sheep dog trials, a nature walk, and a massive bonfire.

Why am I telling you all this? Well, not only because it’s an awesome festival that deserves more awareness, but also, I’M GOING! Reviews and festival tales to follow…

Brand Spanking New: Pulled Apart by Matt Emery EP

Matt Emery

Matt Emery, from the 'Surrey Mountains', is coming out from behind the drums for his new EP

Matt Emery is the drumming contingent of cheeky, Surrey-based band Stagecoach. The band’s success and notoriety has been on a sharp increase of late, having performed for Huw Stephen’s BBC Introducing show, and are set to storm the festival circuit in the summer. In addition to all this, Matt has found the time to work on some solo material, and this free EP is a little sneak peek.

As you may guess from the title, the EP consists of  selection of covers of hardcore giants Pulled Apart by Horses. This includes most of the notable hits, Yeah Buddy, Back To The Fuck Yeah, I Punched A Lion In The Throat and High Five, Swan Dive, Nose Dive. Matt has been a fan and friend of the band for a long time, and witnessed their journey to success, but the EP is not just a product of hero-worship; Matt has put his own spin on every track.

Matt Emery in Elysian Fields

Matt in Elysian Fields, playing to many ears (...of corn)

Whilst keeping a flavour of the original version, Matt’s more delicate vocals with varied musical accompaniments makes for a softer, but no less moving, sound. I personally think the a cappella version of Yeah Buddy is a really brave, and bloody brilliant idea!

Included with the MP3 downloads is a letter from Matt, explaining why he chose to undertake this somewhat intimidating task. He describes how he was blown away the first time he encountered Pulled Apart, and also that their music is so far removed from his own that it seemed like the perfect choice for him to cover.

Matt says,

I just wanted to take their songs and put a whole different spin on it, hopefully to not just amuse the pulled apart fans but maybe present their songs to some people who aren’t fans of rockier/heavier music.

This follows an earlier project when Stagecoach went on tour with Johnny Foreigner, making a split EP with covers of each other’s songs, which had some fantastic outcomes. Matt and band mate, Luke, told me the thinking behind it when I interviewed them in an earlier blog post.

Matt’s awesome EP is free to download from today, so, please, go ahead!

Live Music: Johnny Foreigner and Stagecoach. Buffalo Bar, Cardiff. 22.11.10



Luke and Tom, Stagecoach

Luke and Tom from Stagecoach, Buffalo Bar

Newly united label mates, on trendy independent label Alcopop!, Johnny Foreigner and Stagecoach have embarked on their pretty extensive UK tour. I was fortunate enough to see the bands at Cardiff’s Buffalo Bar, where they rocked out amongst the deep red walls plastered with iconic musicians. Maybe it won’t be long before their pictures join them.

As a unique tour selling point, both bands have come together and released a new split 7” single called Big Love In. It’s truly a group effort, as the record features a new track from each band, plus them doing covers of each other’s past hits; JoFo do a great rendition of Stagecoach’s 45, while Luke and Matt from Stagecoach cover Salt, Pepper and Spinderella. It’s well worth a listen, and the combined bands’ artwork looks awesome too.

Luke, Stagecoach, climbing

Luke, Stagecoach, indulging in some speaker-climbing

Stagecoach kicked off in a lively fashion, as always, despite informing us that two of the band members had only made it to the venue five minutes before! Bashing through the best of their musical collection, which has been described as ‘quirky trash-pop’ in Kerrang, my personal highlights were Not Even Giles (Would Say We’ll Be Ok), which can be found on their new split EP, past hit We Got Tazers, and Hieroglyphics. The harmonies were really tight and it was just a really fun performance.

The guys have some pretty self-deprecating audience banter, before playing Map To The Freezer, Luke said “This is a record the radio picked up on. I don’t really like it, but I’m glad they do.”

Nick replied, “Nice to hear you’ve got so much faith in our work.”

“Well, I do quite like it, but it’s only a 6 out of 10. Anyway, shall we play it?”

I don’t know guys, it’s pretty damn catchy; I’d give it at least a 7.5!

Kelly JoFo on Stagecoach drums

JoFo's Kelly mans the Stagecoach drums

For their set finale, Stagecoach didn’t disappoint, and indulged in some good old audience participation. Tom delved into the crowd with his mandolin, there was climbing on speakers, and Matt abandoned his drum kit altogether as Johnny Foreigner’s Kelly promptly took over. That’s team work!

After an quick kit-swap, JoFo were up. It was my first time seeing them play live, I’m not sure how because they are touring fiends having played with the likes of Dananananaykroyd, Los Campesinos!, The Futureheads, and The Subways, I guess I’m a bit slow. My anticipation was definitely rewarded; they are effortlessly flawless. The vocals, the instrumentals, the energy; it’s all there. And it was so good to see Kelly doing it for the girls; there aren’t many who manage to earn respect in the man filled indie-rock world, but at points she arguably stole the show. And that’s not to say that band-mates Alexi and Junior weren’t great too…I particularly enjoyed their discussion about the use of a sweaty towel…

Alexi, Johnny Foreigner

Alexi, Johnny Foreigner, dripping with, er, energy

As for the set list, there was a nice mix of old and new, though the band seemed a little reluctant to play some of their new work, with Alexi promising “Just one more new song and then we’ll play what you paid for”. I personally really enjoy hearing new material that bands are working on; it’s good to have a taster of what’s coming next.  Feels Like Summer and Eyes Wide Terrified were particular favourites; you know it’s a winner when the live performance enhances what you have on your iPod.

And so I left Buffalo Bar with a huge smile on my face, a Johnny Foreigner T-shirt (I can’t resist their iconic monsters), and a sighting of Matt Horne of Gavin and Stacey fame. Hopefully he enjoyed the gig too.

An Interview with Stagecoach

Sat in a dark corner of one of Cardiff’s more intimate and quirky venues, Buffalo Bar, Luke and Matt from Stagecoach spare some of their precious pre-gig time to talk to me about their UK tour with Johnny Foreigner.

You’ve done 3 gigs so far on the tour, how’s it going?

Luke: Yeah, good. There’s been a good reaction from the crowds, and I think we’re playing to a bunch of new people, which is cool.

What sort of gig-wagon are you sporting for the tour?

L: It’s an ex-Royal Mail van, so it’s big and red, and it’s got a stupid face.

Matt: It’s got, like, a big nose. It looks really clumpy.

L: It was only £700 though, so if he dies after this tour he’ll have served us well.

When does he have to keep going until?

L: The second week of December.

M: In Edinburgh.

L: And then we’ve gotta go all the way back down to London, so about as far as you can go.

JoFo Stagecoach split single

Album art for JoFo/Stagecoach split single

So, you’re split CD came out last Monday. Who did the artwork for it?

 

L: There’s a guy called Mark Gamble who does all of our art work, and a guy called Lewis who has always done the Johnny Foreigner art work.

M: It’s a proper split of music and art work, so everyone’s come together for it, which is quite nice.

L: It’s a joint effort, with covering each other.

Did you guys decide to do the split before the tour, or was it a result of going on tour together?

L: It was a nice bonus to go hand in hand with the tour, and Jack, who runs our label (Alcopop!) thought it’d be nice to have something to sell, promoting the gigs, which it does.

How come Johnny Foreigner came over to Alcopop!?

L: I think they were just looking for a different label, they really liked what Alcopop! Did as they have a really nice DIY ethic, and it just seemed like the best label for them when they were looking for something new. And Jack, who runs Alcopop! Has always liked them, so it worked out well.

What was it like covering each other’s records?

L: It was really fun, obviously I can’t speak for them, but me and Matt did the Johnny Foreigner cover, and we had a really good, fun day doing it, at his Mum’s house.

M: We only had like 5 or 6 hours to do it, it would’ve been so good if we’d had a day, or two or three days to do it because we were going to do Suicide Pact, but we just didn’t have enough time. But I kind of had a little idea for Spinderella, so we did that in about 5 hours. It was really good fun.

Were you worried about showing it to them?

L: Yeah, I’ve always been a fan of Johnny Foreigner, so it was a bit scary – we’d at least met Alexi a few times, so it wasn’t so weird. But we were certainly pretty excited to see what they’d done with our stuff as well.

M: Yeah, we heard what they’d done and it was like ‘aaaah, theirs is amazing!’

L: They did an amazing job with all these, like barber shop harmonies and stuff –

M: – it sounds so cool!

L: We’re hoping to do something on tour where you can get a combination of both, so they’ll do some barber shop harmonies on the song, which should be cool.

So would you all be on stage at the same time?

L: Yeah, there’s been some of that going on already.

M: It keeps growing the more we go on tour, so by the time we hit Scotland we’ll just be one big band!

Like a super-band? What would you call yourselves?

L: Jo-Co!

So you’re off to Cambridge tomorrow, will you get to see much of Cardiff?

L: Not really, we were here two or three weeks ago for Swn festival, so this is our second time in a month. That was brilliant. We couldn’t stay around much for that really either – we had to go back to London that night, but I loved it. The feel of it was great.

I saw you there, they put you in a really small venue? (Y Fuwch Goch)

M: Yeah, smaller venues are way better though, I’d rather play to a packed small venue than the same amount of people in a bigger venue, you just get such a good atmosphere in a smaller space.

So, Matt, I saw on Twitter you forgot some of your kit for a gig the other day? How did you get over that one?

M: I forgot like two-thirds of my kit. It was just me and John, our bass player, and we were coming down from London on the first day and loading up the van, and I just left everything apart from my bass drum – stand, stool, pedals, everything was in the boot and I just totally forgot! I managed to have a Bombay mix of Junior’s stuff, and the band before us, Attention Thieves, I nicked a load of their stands and managed to put something together.

That was lucky!

M: It was really lucky, if it had happened tonight, there’s only us and JoFo playing and I would have been a bit stuck!

Nick at Swn Festival 2010

Nick at Swn Festival 2010 in Y Fuwch Goch

You all like to climb around a lot while you’re performing, is that just something you’ve always done?

 

L: I think it’s nice to bring the show to people, it shows you care more rather than just standing rooted to the spot. It gets the crowd involved more, they can’t avoid it, and it just makes it more fun for everyone. It makes you feel like you’re altogether enjoying the gig, rather than there being two halves; one half band one half audience. If you mess it up it’s more fun.

I liked it at Swn festival when someone shoved their guitar on a guy standing at the front.

L: Poor guy. Someone gets the mandolin every night, whether they like it or not. They always try to escape but they always get it. The one that looks the most scared ends up with it.

Has it ever gone horribly wrong?

L: No, not really.

M: Tom slipped on my bass drum and pretty much took out the whole kit!

L: The first night of the tour as well in Reading he tried to jump the barrier and tripped on a monitor and that collapsed and he just fell through the gap! So, yeah, it goes wrong for Tom, but nobody else.

What have Stagecoach got on for 2011?

L: Hopefully everything. An album, definitely go to Europe, maybe America and Japan. We want to play every day really.

M: That is the dream, just doing it full-time, we’re not quite doing it full-time at the moment and it’s hard working as well as doing gigs. It feels like we’re so close but at the same time not quite there yet, we need that final bump really.

So are you trying to do full-time jobs too?

L: Yeah, four out of five of us are working every day. A couple of guys have been working today and are still on their way down here now, and the whole tour’s been a bit like that. It’s cool though, we won’t ever complain about it because we love it.

M: You’ve got to do it, you’ve got no choice, you still need money to pay the rent.

L: We’ve had a couple of nightmare ones where we’ve had to drive up to Manchester for like an hour, playing, driving straight home and then getting up for work a couple of hours later, I can’t really recommend that to other bands.

M: But those shows have paid off, you get bits of press and stuff. We wouldn’t be doing it if it wasn’t worth it.

L: Yeah, as long as you get something small out of each gig, even if it’s just one or two more people who love what you do and wouldn’t have heard it before, then it’s worth it.

If you do an album would you make it all new stuff or use some tracks from the EPs you’ve already released?

L: By the time an album comes out there will still be a lot of people who have never heard of us, so it’ll be a case of picking the best bits – re-recording those, and then adding new material for the people who do know us.

M: For people who have been quite loyal and been to all the shows, we wouldn’t want to give them an album of everything they’ve already got. You’ve got to have new stuff. The best of your past and the best of what you can come up with.

L: Yeah, we’ll combine it. And if we do use some of those older tracks, we will re-record them, so it’ll be a new sound.

What other bands at the moment are you most excited about?

L: Some of our best friends are in bands; Hold Your Horse Is, we love, on our sister record label (Big Scary Monsters). My First Tooth on our label are great.

M: They brought out an album this year and it’s just solid!

L: Outside of that there’s a band called the JCQ who I’m quite excited about, it’d be great to do some shows with them at some point.

M: You can’t not mention Pulled Apart By Horses, just because they’re screaming the way forward for bands like us getting recognised and getting out there.

L: Pretty much anything you find on Alcopop! or Big Scary Monsters is 100% awesome. I’d recommend any of those bands, there’s not one bad thing on there.

To get your ears round some of Stagecoach and Johnny Foreigner’s stuff, go to the Alcopop! shop.

Swn Festival. 21-23 October.

The third annual Swn Festival descended on Cardiff for three days of alternative musical offerings at venues across the city. Thursday and Friday night, and all day on Saturday saw over 150 bands play. They are all up-and-coming acts, having been hand picked by the festival’s organisers, Radio 1 DJ Huw Stephens and Cardiff promoter John Rostron.

One of the reasons why Swn Festival works so well is Cardiff’s range of small, quirky venues positioned conveniently close together. They can be seen on the map below:


View Larger Map

Several of the venues are quite small, which is great as they tend to house bands that are really new and have smaller followings, meaning you can wander into a pub like Dempsey’s and witness a really intimate performance with an amazing new band. There is also quite a high possibility that the band is local, as part of the Swn philosophy is to give a platform to Welsh acts that might not get the chance to play to an audience much bigger than their local village pub.

There was a lot of music over the three days, so I shall only delve into some of my personal festival highlights which would definitely be worth having a listen to or keeping a lookout for next time they are on tour.

The first of these is the Big Scary Monsters record label showcase at Y Fwuch Goch on Thursday night. This featured Dad Rocks, Stagecoach, Mimas, Tall Ships and Talons.

Unfortunately a traffic malfunction meant we missed Dad Rocks, which is a shame as his photo in the Swn leaflet wearing a silver shiny astronaut’s costume made him more than a little bit intriguing.

Stagecoach had a lot of fun in their set, which culminated in the band having a wander around in the audience/on the bar, giving away a guitar to one lucky fellow in the front row, and generally infecting everyone with their shouty brand of pop-rock.

Mimas, clad in their matching purple and yellow hoodies, gave us an offering of quirky tunes, with a particular highlight being the band dissembling the drum kit and basically bashing the hell out of it, creating some great tension – not least because it meant a lot of underwear was put on show.

Tall Ships at Y Fuwch Goch

Tall Ships doing some instrument swapping

Tall Ships, a favourite of mine, never fail to deliver a varied and absorbing set, from soft synths to all out growling guitars and pounding drums, the band swapping instruments between them throughout. A technical fault meant they couldn’t play to their best, but it happens, and the guys coped with it well.

Lastly at Y Fwuch Goch, Talons ended the night with an atmospheric and explosive set of their instrumental math-rock, complete with violins. It was a shame that the venue was so brightly lit, as some murky, brooding darkness would have complemented the music much better.

Young Legionnaire at Chapter Arts Centre

Young Legionnaire rocking out

Young Legionnaire at Chapter Arts Centre on Friday night was another great experience. It’s a personal preference point, but I really like it when bands have a bit of a chat to the audience – only if they’re funny, mind. Young Legionnaire were though, even sharing their secret song formula with us, “NOISE, stop, NOISE, stop. Do you get the idea?” Their brand of post-hardcore rock is incredibly loud, yet melodic, and had my ears ringing for hours afterwards for all the right reasons.

Cate Le Bon at Buffalo Bar

Cate Le Bon

Lastly, highlights from Saturday would have to be Calories with their solid performance of catchy indie rock, starting their set all wearing some interesting sunglasses because they’d heard Swn Festival was cool…

My First Tooth was only announced to play a couple of days before the festival, and were a real hit with their energetic folk-rock (‘fock’?) Plus, they had a harmonica, you can’t argue with that.

I don’t even know how to describe Cate Le Bon, but I do know that I would like to be her. Her totally individual style that seems to blend ghostly folk and pop with melancholic vocals with a thick Welsh accent, and a little bit of synth thrown in for good measure is unlike anything I’ve ever heard.

Finally there was the legendary Welsh band Islet. Everyone was hyped to see them, and they reciprocated the excitement, bounding around the stage, in the crowd, climbing on speakers, drumming on the ceiling, anything they could to produce their percussion-heavy sound that has to be seen to be believed.

All in all it was an exhilarating, exhausting and educational few days. Swn turns five years old next year, now that will have some special stuff in store…

I also took some photos, of varying quality.